I recently came across a wonderful, eclectic collection of poetry books and chapbooks published by indie presses. So far, I’ve worked my way through three of the titles and knew I HAD to share them with the world. Their themes include, but are not limited to, mental illness, sexual trauma, queerness, and intersectional feminism. The following reviews are listed in the order that I read them.

THE RAVENOUS AUDIENCE by Kate Durbin (Black Goat/Akashic Books, 2009)

This was Durbin’s debut collection and I fully believe it put them on the map of contemporary, talented poets to keep an eye out for. Many of the poems in THE RAVENOUS AUDIENCE incorporate themes of horror that kept me hungry for the next page. Motifs such as “cum, blood, vomit, and other bodily fluids” mix into Durbin’s work (quotation from back of the book). This collection is all things I love: queer, subversive, even perverted at times… absolutely enthralling.

HOARDERS by Kate Durbin (Wave Books, 2021)

I didn’t realize HOARDERS and THE RAVENOUS AUDIENCE had the same author, because their styles and content are so different. Of course, this only further illustrates Durbin’s talent. Her 2021 collection is broken up into different chapters, each depicting the lives and perspectives of different hoarders (or individuals who struggle with hoarding; I am unsure if person-first language is appropriate here). Getting into the minds of each protagonist was enlightening and emotional. I learned quite a lot while reading HOARDERS without realizing I was learning in the moment— this is an absolutely stimulating and thought-provoking collection of work!

MAYBE SHE’S BORN WITH IT, MAYBE IT’S TRAUMA by Cait Thomson (Beyond the Veil Press, 2023)

Of course, the title and cover art immediately drew me into this chapbook, but to let those be the main focus of my mini review would be doing it a major injustice. The current political climate and (albeit slow) destigmatization of mental illness has understandably led to a rise in poetry collections about therapy, medication, and mental health. MAYBE SHE’S BORN WITH IT, MAYBE IT’S TRAUMA stands out when compared to others I’ve read, though. Thomson isn’t afraid to dive into the ‘ugly’ parts of mental illness, like struggling to brush their teeth and passive suicidal ideation. Furthermore, Thomson’s formatting choices challenge me to look deeper into their words, as this collection is anything but surface-level. I greatly look forward to reading more of Thomson’s work!